Another iconoclastic work from the action auteur Chang Cheh, and winner of Honourable Mention for Dramatic Feature at the 13th Golden Horse Awards, 7-MAN ARMY retells the legend of seven patriots during the Sino-Japanese War. In 1933, 20,000 Japanese soldiers and 50 tanks invaded the Pa Tou Lou Tzu, a strategic key point of the Great Wall. With only seven men stationing, these heroes took on the entire army for five days before succumbing. When the Japanese entered the building to find the seven battered bodies, they buried them in honor and recognized them as "The Seven Heroes of China" in the Japanese military records.
David Chiang, Ti Lung, Chen Kuan-tai, Alexander Fu Sheng
A captivating examination of human obsession and love, Woman Of The Night offers three stories in one film. In the first tale, a perverse young student with a voyeuristic habit spies on two of his female roommates. The second story follows an office manager who develops an infatuation for his secretary. The last part is a complex family drama about a debilitated father who forces his family to leave him, only to have a bittersweet reunion when his daughter's life is threatened.
Tien Ni , Chin Han , Margaret Hsing Hui , Li Hsiang
After many years as a respected actor (The Chinese Boxer) and action choreographer (Jackie Chan's Drunken Master), the Shaw Studio finally gave the dependable and commendable Hsu Hsia a chance to direct his own movies. He didn't waste the opportunity, inviting three other kung-fu designers to help on this fight-filled thriller. Wang Yu, co-star of such classics as Dirty Ho and The Kid With A Tattoo, here takes center stage as a young rascal caught between an anti-Ching Confederation and violent, vengeful Ching troops. But when he discovers that the good guys are led by master martial arts actor Jen Shih-kuan (Once Upon A Time In China) and the bad guys are led by the incredible Huang Cheng-li (Snake In The Eagle's Shadow) everyone knows that loads of great kung-fu is in store.
Pan Lei, winner the China Literary Award for three consecutive years, wrote and directed this film about the lives and loves of a fishing village. It starred the glorious Cheng Pei-pei in her first film as a woman (she had debuted in a man’s role), and her much-lauded performance won her the prestigious Golden Accolade Award from the International Association Of Independent Producers a first for any Asian woman.
When directors in the late '70s began jumping on the kung-fu comedy bandwagon renowned director Chang Cheh stuck to his guns of traditional brotherhood and moral code films made popular by him in the '60s. So in keeping with the spirit of the venomous success of the cultish THE FIVE VENOMS, Chang reunites the Five Venoms in arguably his second biggest cult hit in the West, THE KID WITH THE GOLDEN ARM. As the film's lead martial arts instructor and one of the stars, it's also one of Lo Meng's finest moments on screen playing the righteous villain Golden Arms whose eventual showdown with the drunkard Hai Tao (Kuo Chue, fight choreographer for BROTHERHOOD OF THE WOLF) is graphically artsy and balletically violent. You won't be disappointed.
After his lengthy training nears completion, expert swordsman Kao is entrusted with an unusual mission by his elderly master: taking the fabled 'Teardrop Sword' down into the martial world and solving the petty squabbles of a few supremely skilled individuals, while also deciding the fate of the seemingly cursed weapon.
Starring the stunning, teenage heartthrob Pat Ting Hung, The Butterfly Chalice marks the important directing debut of the kung-fu film genre's most principle figure Chang Cheh, as he burst the martial arts and swordplay movie doors wide open, announcing the beginning of the end for the Cantonese musicals.
While director Chu Yuan is known for his high-flying tales of the "Martial Arts World," inspired by the great novelist Ku Lung, he is also famous for introducing elements of murder mysteries, detective tales, and emotional melodrama into kung-fu films. This is one of those moody, character-driven thrillers, complete with the atmospheric sets and costumes audiences had come to expect. He uses two editors and three martial arts choreographers to tell the tale of two unique detectives following strange omens to prevent the death of a fiancée. The kung-fu takes on a macabre, horrific flair as kidnapping, murder, frame-ups, and even being buried alive fill this stunning story of swordsmen and women struggling to save their true loves... and their sanity.
Veteran kung fu star Luk Kim-ming's directing career got off to a flying start with this merry tale. The film has not only won Luk Kim-ming and his writing partner Best Screenplay Award at the Hong Kong Film Awards, but also a Best Actress Award for Wang Hsiao-feng! Wang Hsiao-feng plays a pregnant student who marries a sympathetic, equally heartbroken passer-by on impulse. One thing after another occurs until the couple achieves an unexpected, yet completely satisfying and happy ending.
In 1975, Ho Meng-hua, master of the "esoteric weapon" kung-fu thriller, started an international sensation with The Flying Guillotine. But while he went on to direct such further "crazy cutlery" hits as The Dragon Missile, popular demand insisted upon a sequel to the original decapitator-on-a-chain. So, first, they got a script by a trio of writers, featuring a new, improved "Ring-Chain Flying Guillotine" and the only weapon that can stop it, the "Toothed Wheel". Next they matched Cheng Kang, the director of their popular true crime thriller The Criminals, with Hua Shan, the director of their superheroes Super Inframan, to double-team the project. Then they cast some of the best martial arts actors in their repertory - all ably choreographed by the often unsung, but universally respected Tang Chia. Finally they filmed Ti Lung as a fugitive from the emperor’s cruelty, against the whole F.G. gang in a blade-on-blade battle to the headless death!
This is a heartstring-tugging Christmas story about a bar lady who serves drinks to a man that looks like her long gone husband. She convinces him to fulfill her son's wishes of having the father he's never seen show up for Christmas.