One of director Kuei Chih-hung's early works, this film is a coming-of-age tale of the lower-class Hong Kong teens in the 1960s. Its no-holds-barred presentation of societal issues brings an ultra-realistic feel to the story. Wang Chung is the title character - a hotheaded and rebellious teen who is tempted by the dark side... costing him his life. His vivid performance caused a vigorous sensation and debate among critics and audience of the time.
The Golden Lion (Chao Hsiung) is a bandit with mysterious strength who robs from the rich and gives to the poor. One night, he is ambushed and poisoned by the evil bounty hunter Wang Ching-Tsao (Wang Hsieh) and his gang, who hunt him at the behest of legal authority. Friends take him to a righteous doctor, who cures the wounded bandit despite the threats of Wang Ching-Tsao. The doctor travels with the Golden Lion, his surly son and courageous daughter Lu Wen-fang (Li Ching) to a mountain to develop a life-saving antidote, and they are beset at every perilous turn by Wang Hsieh, who will stop at nothing to catch his quarry!
The crazy bumpkin returns in a sequel for more bittersweet laughs and heart-wrenching misfortune, as his true love becomes the wife of an abusive husband and his uncle further exploits his naïve nature.
It is a story describing the friendship between a poor guy and a rich boy. Hua Heng (David Chiang) is a young artist with a chip on his shoulder who becomes friends with Tu Chia-chi (Alexander Fu Sheng), the only son of a rich man who is attracted by Hua Heng's carefree way of life.
The story is about the legendary Monkey King (Liu Chung-chun) teams up with Goddess of Mercy (Chao Li-chuan) and the Dragon Girl (Lung Nu) to battle the child god Hung Hai-erh (Ting Hua-chung),son of the Ox Demon (Hung Hai-erh) to rescue Tang Tseng, the Holy Pilgrim (Teng Chio-jen).
Following the lives of three downtrodden but resilient outcasts in the big city, they learn that life is tough but money can’t buy happiness either. John Lo Mar's gritty social drama paints a sense of realism rarely seen in Hon Kong movies of the era.
Cheng Chang-ho had already established his filmmaking fame in Korea when he was invited to join the Shaw Studio. He created new fame in Hong Kong by directing (and sometimes writing) such action epics as Valley Of The Fangs, The Swift Knight, and this tale of a decapitating swordswoman who will let nothing stand in her way when she falls in love with a bandit’s son. Chiao Chiao, made famous in One-Armed Swordsman, is the girl who won’t let such trifles as craniums keep her from freeing her man from jail. The one villain who manages to keep his head (in every definition of the phrase) is Fan Mei-sheng. The success of this film really helped the director get ahead in just two years he was to helm the very first internationally successful kung-fu film: King Boxer.
Chiao Chiao, Chen Liang, Wang Hsieh, Ching Miao, Chang Pei-shan
Three of the most famous Miss Hong Kong contestants, Maggie Cheung, Chingmy Yau and Elizabeth Lee star in this wacky Wong Jing-directed comedy about love and amusement in 1980s Hong Kong. Wong Jing himself plays Xin, a hapless loser in love. Xin calls in to radio DJ Tsang (Eric Tsang) the "Love Pain Killer", for desperate help. Tsang, a self-proclaimed love expert takes it upon himself to make sure Xin meets girls, and leads him on a series of loopy excursions into the wild and dangerous world of modern love.
Besides his pioneering films based on authentic martial artistry and kung-fu comedies during the 1970's, acclaimed director Liu Chia-liang also embraced the master/pupil relationship to form the cornerstone of many of his other works where his characters exhibited physical and moral failure as a means to either "make them or break them". Besides directing MAD MONKEY KING FU, it's also Liu's debut as a lead actor playing down and out, monkey kung-fu master Chen, crippled by the ruthless villain Tuen (Shaw's penultimate bad guy Lo Lieh). Street boy Hsiao Hou (which means "little monkey" and played by popular martial arts aerialist Hsiao Hao) convinces Chen to teach him monkey kung-fu to avenge Chen's shame. The wacky training sequences and outlandish finale fight leave you stupefied.
A comedy about a naïve villager who arrives in the big city to seek his fortune. "The Crazy Bumpkins" is hilarious and bittersweet, much like its simple tragic-hero who has a heart of gold but pockets of lint.
Wang Chung was a popular action actor, director, and screenwriter. Here he creates one of the most unusual and surprising action films ever made, combining black comedy, tragedy, and bittersweet melodrama. Two of Hong Kong cinema's oddest looking actors, Lung Tien-sheng and Cheng Tse-shih star as "Crank" and "Fatty", two remarkably incompetent cops whose inept investigations lead to rape, torture, duplicity, and murder.
Li Tsu-liang (Lau Chong-yan) is newly widowed and leading an impoverished life with two young sons (Huang Kun-hsuan and Cheng Pak-lam). He attempts to make a fortune at the horse-racing track, but is subsequently entangled with the loan sharks. Li is debt-laden while his sons are harassed by debt collectors. More heart-wrenching events begins to unfold….
Lau Chong-yan, Huang Kun-hsuan, Cheng Pak-lam, Ng Man-tat
The subtle repackage of the most filmed Ching Dynasty novel, The Dream Of The Red Chamber by renowned director Li Han-hsiang has earned public acclaim by attaining The Best Art Direction of The 15th Golden Horse Award, The Best Costume and The Best Art Direction Of The 24th Asian Film Festival. Brigitte Lin and Sylvia Chang play the adorable yet sorrowful couple Bao Yu and Dai Yu; playing their roles to the hilt in this gloomy love story of their uncontrollable destinies.
Brigitte Lin , Sylvia Chang , Deborah , Michelle Mei Suet