In the vein of Romeo and Juliet Hong style, the small ensembled cast and little known director Michihko do a big league job with their rendition of Romeo and Juliet in this film. Although poor boy (Derek Erh Tung-sheng) and rich girl (Yu An-an) are from opposite ends of the spectrum, their undying love refuses to let anyone get in their way, including their parents.
Acclaimed actor Danny Lee, known for his role in John Woo's The Killer has his directing debut in One Way Only, a Hong Kong "Easy Rider", where the road and motorbikes are symbols of freedom against government oppression, which Jack Kerouac sees as a way of discovering oneself. Li plays a motorbike workshop owner that although injured during an illegal motorcycle race, continues to race regardless of the physical consequences and the law, because the road rules all.
Cheng Chang-ho had already established his filmmaking fame in Korea when he was invited to join the Shaw Studio. He created new fame in Hong Kong by directing (and sometimes writing) such action epics as Valley Of The Fangs, The Swift Knight, and this tale of a decapitating swordswoman who will let nothing stand in her way when she falls in love with a bandit’s son. Chiao Chiao, made famous in One-Armed Swordsman, is the girl who won’t let such trifles as craniums keep her from freeing her man from jail. The one villain who manages to keep his head (in every definition of the phrase) is Fan Mei-sheng. The success of this film really helped the director get ahead in just two years he was to helm the very first internationally successful kung-fu film: King Boxer.
Chiao Chiao, Chen Liang, Wang Hsieh, Ching Miao, Chang Pei-shan
It's mid-autumn festival, and hunchbacked, Liu To, out to avenge his sworn-brother, Chin Piao's death, calls for Li Kuei. (Who killed Chin Piao ten years earlier in a fight to possess a document about the "Poisonous Dragon Sword.") Later, the two fight, and Liu To loses his right arm, and swears vengeance on Li Kuei, during mid-autumn in ten years' time. Near death, Li Kuei asks Madame Chen (his sister) to send his daughter, Li Pao-chu, to learn the fighting tacties of the poisonous dragon sword. Ten years pass, and Li Pao-chu, now highly respected and feared for her swordplay skills, is called "The Young Avenger". Her quest is to avenge the death of her father. She meets her swordsman cousin, Chen Shih-lun. Mid-autumn comes, and with it Liu To and Chen Shih-lun, who leads the local villagers in an attack against marauding thugs. A bitter fight ensues between Liu To and Chen Shih-lun, with Liu getting the upper hand in spite of help from Li Pao-chu. At a critical moment in the fight, they are aided and inspired by Li Pao-chu's teacher (Chen Shih-lun's paternal uncle) and Liu To is finally killed by Li Pao-chu. The quest of the Young Avenger is at last over.
Shaw Brothers pulled out all the stops to make this star-studded magnificent drama. Fan Chia-soo (Kwan Shan) is a kind-hearted student who is smitten with Shen(Li Li-hua), a heart-rending love song singer. The General's henchmen are determined to present the songstress to their superior as a gift no matter what. Fan receives aid from an unexpected person just in time to save the woman he loves...
Jimmy Wang Yu heads the stellar cast from the golden era of Shaw Brothers under the brilliant directing of auteur Chang Cheh, and here underlies their next collaboration on the classic One-Armed Swordsman. The story centers on a swordsman on the run (Wang), with his beloved trailing to find him. The intensive action scenes are beautifully choreographed; setting an example for Crouching Tiger, Hidden Dragon and the like, 34 years later.
Tales Of A Eunuch reunites the potent mix of martial arts superstar Gordon Liu Chia-hui, who plays Emperor in cognito Kang Hsi, with the kung-fu comedienne Wang Yu, an anti-Ching revolutionary. It is a film laced with wild barrages of excellent martial arts chiefly choreographed by Yuen Hua and Yuan Pien; Jackie Chan's long-time kung-fu classmates. At one time, Wang was considered to be the next Alexander Fu Sheng.
Wang Yu , Ku Feng , Linda Chu , Liao Li-ling , Liu Chia-hui
Wong Jing, who is now considered one of the leading lights in Hong Kong cinema, wrote, directed, and co-starred in this Asian-accented Cinderella story starring the glorious Maggie Cheung Man-yuk as a TV actress who inadvertently buys a shoe with a stolen diamond secreted in it. That makes her the target of the two bumbling thieves, as well as a bunch of greedy killers. After action, laughs, and romance, it, of course, turns out that she lives happily ever after…!
Wang Jing, Chan Pak-cheung, Maggie Cheung, Wang Yu
Director Sun Chung was the first Shaw Brothers' director to use the Steadicam and in the mid-70s was one of the most productive directors Shaw Brothers ever had. His action films had strong tension, snappy editing and slow motion, the things that influenced up and coming martial arts director John Woo. Sun Chung joins forces with kung-fu comedienne Wang Yu, a ballistic kid on a mission to clear his father's name, in THE KID WITH A TATTOO which also features plentiful ripsnorting martial arts at the hands of Liu Chia-liang's 10-year, exceptionally creative, choreographer partner Tang Chia. Jackie Chan's long time kung-fu classmates Yuen Hua and Yuan Pin along with best martial arts fighting villain Wang Lung-wei, add wickedly wild altercations to the melees of death.
Is it a historical, costumed kung-fu film or a gender-bending romantic comedy? You decide, but kung-fu film star, writer, and director Lu Chun-ku probably meant it as both. In either case, it’s a delightful and exciting surprise from the man who made Holy Flame Of The Martial World and Bastard Swordsman, starring a cast of both kung-fu stalwarts and incredible beauties -- all obviously having the time of their lives in this unique change of pace.
Ti Lung, plays Tieh Chiao-san, head of the Ten Kwangtung Tigers, who falls victim to opium. The tragedies and drama that ensue are as stunning as the kung-fu, created by a superlative team of six martial artists. It leads to a truly unforgettable climax, as a trembling Tieh, still weak from going cold turkey, must face the gangsters who have ruined his town while he was addicted.
Arguably, the greatest kung-fu film director of all time is Liu Chia-liang. Unarguably the greatest kung-fu film character of all time is Huang Fei-hung. So what do you think would happen when you put these two titanic talents together? You get one of the finest "pure" kung-fu films ever made, with nary a character getting killed, but the thrills coming a mile a minute as two pugilism schools tests each other for a full hundred minutes. Following the director’s only other Huang Fei-hung film, CHALLENGE OF THE MASTERS, Lau returns his dynamic adoptive brother, Gordon Liu Chia-hui, to the leading role, then gives the king of screen villains, Wang Lung-wei, one of his few anti-heroic roles... just in time for a stunning climax unparalleled in its adeptness and invention.