In the arsenal of classic martial arts secret weapons, there is none more lethal than the Buddha's Palm, a technique by which an ordinary hand is transformed into a formidable force. Ku, a blind recluse living in a cave, knows its secret, which proves to be as much a blessing as a curse as it attracts all manner of mayhem...
Master martial arts moviemaker Liu Chia-liang wanted to make a movie about Chinese royalty’s relation to the common people. He accomplished it with one of the greatest kung-fu adventures ever made, incorporating at least three of the most brilliantly conceived and executed fight sequences ever caught on film. Wang Yu is the streetwise title character while the director’s adopted brother, Gordon Liu Chia-hui, plays an incognito prince who uses Ho as a dupe to try avoiding court intrigue. But any description of the plot cannot communicate the beauty and ingeniousness of Liu's invention and vision. Combining laughs and thrills, the monumental director adds to his legend with a film that only gets more impressive with each successive viewing.
It is little wonder why Chang Cheh is considered legendary. Not only did he usher in a whole new kind of "yanggang" (macho) cinema, but he was also one of the most prolific and consistent directors in the world. He made more than 70 films in the period between 1960 and 1975, but this was considered one of the most notable. A nominal sequel to the equally acclaimed SHAOLIN MARTIAL ARTS, this powerful production came a year later and cemented Alexander Fu Sheng's superstardom with a performance many proclaimed the best of the young lead's career. It is also one of the last Chang Cheh films choreographed by Liu Chia-liang, who was becoming a legendary director in his own right. Together, they made this tale of the Shaolin vs. Manchu conflict -- played out at a textile mill -- one of the highlights in kung-fu film history.
A comedy about a naïve villager who arrives in the big city to seek his fortune. "The Crazy Bumpkins" is hilarious and bittersweet, much like its simple tragic-hero who has a heart of gold but pockets of lint.
Legendary director Chang Cheh brings heroic bloodshed to the streets of contemporary Hong Kong in Police Force. It's also the debut of Chang's latest talent discovery, Alexander Fu Sheng, who quickly rocketed to stardom. Alexander Fu Sheng was the only Shaw actor to successfully challenge Jackie Chan's foothold on the kung fu comedy. Fight scenes choreographed by the celebrated Liu Chia Liang (Lau Kar Leung) just rock and roll with eye-popping delight.
One of Shaw Brothers' highly successful film series based on the classic Chinese novel Journey To The West, this takes up where The Monkey Goes West, Princess Iron Fan, and The Cave Of The Silken Web left off. The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women, unless loved by a man...
It's a fact: the greatest martial arts movie character is Huang Fei-hung. But it's quite possible the second greatest character is "Beggar Su", one of the famous Ten Kwangtung Tigers, and a legendary Ching Dynasty figure. Little known director Liu Shih-yu decided to fill his telling of the character's life story with the best kung-fu actors Shaw Studios had to offer. He reunited the stars of Liu Chia-liang's landmark Dirty Ho -- Gordon Liu Chia-hui, Wang Yu, and Wang Lung-wei--added such other greats as multi-award-winning Ku Feng and Pai Piao, then gave workhorse Lo Chiang his shot as choreographer. Together they made a rare, colorful, action-packed adventure as Beggar Su and his brother train incessantly to defeat the brutally powerful thief called Centipede. Finally, after much death and destruction, Gordon Liu Chia-hui and Wang Lung-wei get a memorable rematch to follow their classic masterpieces in Dirty Ho and Martial Club. The result is not only reminiscent of preeminent director Liu Chia-liang's work, but essentially an homage to him as well!
Connecting all the antics of bosses, monks, beggars, and thieves is the slippery and sinuous efforts of three pickpockets so adept at their chosen skill that they can even trick three beauties of their underwear without missing a step.
In the mid-1980's Chu Yuan became internationally famous for starring as the nasty villain in Jackie Chan's groundbreaking worldwide hit, POLICE STORY. But for more than twenty-five years, he was famous as one of Hong Kong’s most respected directors of "Martial-art World" epics — often conceived by his remarkable collaborator, novelist Ku Lung. This was one of their last together for the Shaw Brothers Studio, but it's another revenge and mystery-tinged winner. Liu Yung and Sun Chien (the Korean kicking THE FIVE VENOM from Chang Cheh's internationally popular series) team to investigate the martial-art murders of a supposedly mortally wounded swordsman, only to find deception, double-dealings, imposters, and one deadly duel after another. No less than three choreographers are on hand to handle the multitude of martial arts, making this one of Chu Yuan's most involving and exciting efforts ever.
After beating several famous swordsmen, Chin Wu-hsin (Pai Piao) of the Mo Shan clan challenges Supreme Swordsman (Wang Jung) to a duel, hoping to win his title, and is beaten and humiliated. The winner taunts him to find a Supreme Sword made by Old Eagle, a famous sword-maker (Ku Feng). When his offer to buy a sword from Old Eagle, is turned down, he challenges Old Eagle to a duel, and snatches his sword in a foul play. Old Eagle's own son Shih Yen-peh (Derek Yee) vows to avenge for his father...