This number one hit is considered by some to be one of Asia's best gambling films. It is about a hero who helps a young student vanquish a cunning, malicious gambling tycoon who is determined to take over the family business.
One of Hong Kong's top directors reunited with its biggest comedy star after several previous hits (ROYAL SCOUNDREL, JUSTICE, MY FOOT) – only this time their subject was the gods themselves. Internationally proclaimed comic genius Stephen Chow plays petty, arrogant god Dragon Fighter Lo Han, who is changed into "Monk Chai" and ordered to alter the fates of three bad people on Earth, lest he be retransmigationized. Unfortunately for him (but to any viewer's delight), the trio he finds are a prostitute (played by the radiant, remarkably talented Maggie Cheung Man-yuk), a beggar (played by award-winning actor Anthony Wong), and a cold-blooded killer. Chow and To wring honest pathos and many laughs from this wonderful scenario, ably supported by the star's welcome sidekick Ng Man-tat and vaunted action director Ching Siu-tung (the director of A CHINESE GHOST STORY and the producer of THE HEROIC TRIO).
Stephen Chiau, Maggie Cheung, Ng Man-tat, Anthony Wong
A huge success from the golden age of Hong Kong kung-fu, THE ANONYMOUS HEROES is dominated by two far-from-anonymous cinematic duos. Stars David Chiang and Ti Lung, the most illustrious buddy team in action movies, are joined by the acclaimed behind-the-screen team of director Chang Cheh and martial arts choreographer Liu Chia-liang. The action takes place just after the Chinese Revolution of 1911, an era when the fledgling Chinese Republic was plagued by powerful warlords. But these tyrants find they have met their match in a trio of "anonymous heroes" united by their patriotism and high kicks: the vagabond (David Chiang), the adventurer (Ti Lung), and the general's daughter (Ching Li). An exciting entry in the David Chiang-Ti Lung canon, and a top ten hit in 1971.
Best Picture, Best Director, Best Music, Best Editing, Best Actress and special awards for outstanding performance, this sumptuous adaptation of a Chinese folk tale won them all. Glorious Betty Loh Ti stars as a beauty that disguises herself as a boy to get forbidden education. This sort of pre-Yentl gender-bender role-playing is traditional when it comes to Chinese opera, yet there is nothing old fashioned about the superlative screen treatment given to this all-time classic.
The "godfather of the kung-fu film", Chang Cheh, hit upon a winning formula when he combined three Taiwanese Opera artists with a muscular Chinese and a Korean kicker. Their first "official" film as stars, THE FIVE VENOMS was a hit, so the director/co-writer decided to launch a series with the same actors in different roles. Supporting this beloved sequel was real-life kung-fu champion Chen Kuan-tai, who Chang Cheh had already made a star. He plays a martial arts master (driven insane by his wife's death and his son's dismemberment), who replaces his child's missing hands with metal versions, then proceeds to blind, deafen, render retarded, and chop off the feet of anyone who even mildly annoys him. The abused bystanders band together and brilliantly train to take their revenge. The result is a totally unbelievable, but totally awesome, super heroic delight.
Chan Kuan-tai, Lu Feng, Kuo Chue, Lo Meng, Sun Chien, Pan Ping-chang
Acknowledged as one of the greatest Hong Kong musicals, this lavish movie starring Linda Lin, who won Best Actress for her performance, infuses its wispy plot with style and wit, and the results are pure pleasure.
When is THE BRAVE ARCHER movie a "Venoms" film? When it is this, the fourth in a series originally starring international favorite Alexander Fu Sheng as master martial artist Kuo Tsing. But Fu only appears here in a cameo as the son of a character played by Lung Tien-chiang (best known as a spear master in the "Venoms" film THE FLAG OF IRON). Kuo Chue is the new hero (as he is in the "Venoms" films as well) who is out to defeat the mass murderer of his martial arts masters. In fact, this fast-moving, action-packed, Venom-filled film is even choreographed by the three core "Venoms", making it a unique combination of grand "Martial Arts World" mayhem and special Venom-style high flying kung-fu.
The seminal Huangmei Opera adaptation from Shaw, The Crimson Palm features the unforgettable film song “Country Road” by Ivy Ling Po. The story evolves around Lin Shao-teh, a poor student who was engaged to Chien-king (Chin Ping), the daughter of billionaire Wang Chun (Yu Kuan-chao). To support her lover for the exam, Chien-king offered gold as Lin’s traveling expenses and asked to meet him at midnight. When Lin arrived as scheduled, all he could find was the bloody corpse of Chien-king’s maid (Li Ching)!
Lo Wei's reputation was cemented by his being credited as director on both Bruce Lee and Jackie Chan's first major starring roles. But before The Big Boss and New Fist Of Fury, Lo Wei was acting, writing, and directing at Shaw Studios. This, however, was his very last Shaw Brothers film - the fabulous tale of a frostbitten swordswoman out to get her parents' murderers. An audience can only marvel at Li Ching's talent as she struggles to cure her hypothermia in time for the final "snow-down."
Li Ching, Yueh Hua, Chang Chung, Tien Feng, Chiao Chiao, Ku Feng
Bodyguard Ah Sun is sent to protect his boss' son, only to meet and fall in love with his mistress, the gorgeous Joey. As the love blossoms between the two, the powerful boss finds out and all hell breaks loose!
How far would you go for love? Or lust? These are the questions posed in this sinfully entertaining Sung Dynasty period effort. Split into two tales, the first one involves a devilish magistrate who tries to tempt a Buddhist monk out of his self-professed celibate control by hiring a pretty prostitute. The second story is the tragic tale of an exploited young girl, the queen of femme fatale Shaw Yin-yin, who is forced to work in an unscrupulous couple's brothel.