Cora Miao plays Liang Pao-erh, a woman whose life is shattered when she discovers her husband (Hollywood star Chow Yun-fat) is keeping a mistress (Cherie Chung Cho-hung). When her repentant husband begs forgiveness, Liang is forced to decide on what she truly wants.
Award-winning actor Ku Feng is Lei Chen-tien, a vicious, cunning, murderous brigand who wants the title treasure. Tsung Hua is Tai Tien-chou, the handsome swordsman who wants to avenge his father's death. Wang Ping is Wu Hsiao-yen, the lovely girl who must disguise herself as a boy to take on this pirate. Tien Feng both directs and co-stars as The Senior Master in this blade and battle-filled adventure of intrigue, treachery, and tragic triumph.
Jimmy Wang Yu, plays Kwei Wu who happens upon a kidnapping with his wife Kan Lien-chu (Chin Ping) at the Red Lotus Temple. Kan sends Kwei to go for reinforcements while she stays to fight the kidnappers. She is captured and imprisoned in an iron cage. Kwei gets reinforcements, not knowing that he is sending everyone into an ambush by the gang. As the good guy falls, Kwei races to the temple to save his wife. Fortunately, the mysterious Scarlet Maid (Ivy Ling Po) seems to have been a step ahead of the bad guys.
Tragic deaths in the underworld cause leader "Yama" (Teng Wei-hao) to suspect a portrait in crystal with mysterious powers. He sends Hen Pan (Chen Hung) and Pai Pan (Hung Hsin-nan) to interrogate its creator, martial artist Lung Fei (Pai Piao)...
Jenny Hu and veteran co-star Margaret Tu Chuan join longtime0020idol Paul Chang Chung in a battle against the notorious Black Falcon crime mob in Singapore. Together they have to face forgery, fire, and even poisoned needles to stop the mob.
Based on a famous Chinese opera, this period drama stars the beloved screen pairing of the wildly popular Ivy Ling Po (Vermillion Door) and Li Ching, one of Hong Kong’s most famous on-screen couples. Ling Po was renowned for playing male Cantonese opera roles while the child star Li, plays the enchanting female lead. While visiting a temple, a young impoverished scholar, Zhang Sheng, is enchanted by the daughter of an influential family, Hong Niang. When the safety of Hong Niang is threatened by revolutionaries, Zhang does all he can to keep her from harm. Seeing the love between the young couple, Hong’s maid (Fang Ying) helps bringing the young couple together, who secretly have their rendezvous in the West Chamber, in spite of her family's objections! It is romance, tears and classic melodrama as the couple fight for love.
This film was actually a lively forerunner to the gambling film craze, which eventually swept Asian cinema. Here, it's cardsharp versus cardsharp with a lot more kung-fu action, in a battle of wits and fists to become the king of the casino. The double stings and triple crosses raise in complexity and imagination until what started as an unusual box office risk became a top ten hit of 1976.
One of the most respected, long-lived and powerful emperors in Chinese history, Chien Lung, travels to one of the most scholarly cities in China incognito, and there he indulges his interest in gambling and a certain courtesan.
Hsieh Choun, the Black Dragon, is in trouble with the police since Wang Sien Tien's gang is helping them; he is no longer free to conduct his drugs shipments out of the port freely as he used to. He buys more thugs and killers to dispose of the young upstart, and soon Wang is in dire straits, in the port of Hong Kong.
Applauded director Li Han-Hsiang was one of few directors that made soft porn acceptable by mainstream audiences; using the thematic device of "sex on a mission" cynicism, suggesting that sex was the ultimate power. In the sex comedy The Scandalous Warlord, the true power that drove the country's many warlords were the prostitutes that these men would routinely visit. Therefore, the power in this film lies in the hands of the sassy Shirley Yu and the titillating Shaw Yin-Yin.
In Lady With A Sword, Kao Pao-shu showed that women could successfully direct a "heroic swordsman" film using a swordswoman bent on revenge. Kao cast Shaw's darling Lily Ho as the embittered swordswoman searching for the man who murdered her sister. The man turns out to be her fiance' but her nihilistic fate stays true to lone swordswoman form, as to paraphrase Gary Cooper in High Noon, "A woman's got to do what a woman's got to do."
Huangmei Opera movies like The Pearl Phoenix are unique to 1960s Hong Kong culture, a product of the Swinging Sixties but considerably more in touch with their Chinese roots. This one is completed with a gender-bending tale where the male lead is played by a female posing as a man, plus movie queen Li Ching and the singing voices of Ivy Ling Po and Jing Ting. Sit back and enjoy!
Hui Ying-hung stars in Long Road To Gallantry, a riveting swordswoman epic, in a quest to find a missing martial arts manual. This movie starts when roving swordsman Tu Meng-fei (Ho Chia-chin) chances to rescue a female pupil Mu Wan-erh (Rosamund Kwan) and later, another girl Li Sai-nan (Hui Ying-hung) from underworld leader Leng Tien-lei (Lung Tien-chiang). Li wants to take vengeance on Leng who murdered her parents. Leng, at the same time, is Mu's long-lost father...
Hui Ying-hung, Ho Chia-chin, Kuan Tzu-lin, Pai Piao
Wu Sung (Ti Lung) beats a vicious tiger to death in Yang Ku on his way back to the town. The local magistrate appoints him assistant chief constable because of his bravery. When he comes across his ugly brother, Wu Ta-lang (Ku Feng), he is taken home to meet his alluring wife Pan Chin-lien (Wang Ping). Pan is smitten with Sung and attempts to seduce him, but Sung forcibly rejects her. When her husband returns, she accuses her brother-in-law instead. Wu Ta-lang does not believe her, but Sung nevertheless leaves quietly on a mission to another town.