This innovative follow-up to the classic “The 36th Chamber of Shaolin” shows the Liu brothers at their best, with director Liu Chia-liang transporting Liu Chia-hui back to the Ching Dynasty with some new kung-fu tricks up his sleeves.
Cherrie Chung plays Rita, a rich merchant's mistress whose idyllic life as well as her neighbours' are shattered when violence visits the village. Both Rita and the coquettish Mrs. Wang are having affairs with the village postman. One day, Mrs. Wang disappears. A little lame girl, Marble, tells her grandmother that she saw two people quarrelling and one falling into the water one rainy night. When the police find no evidence of foul play, the precocious Marble and her friends carry out their own investigation. She gets in way over her head; now the killer knows there is a witness to his crime.
Cherrie Chung, Ku Feng, Chin Yen-ling, Tang Chen-yeh
Jimmy Wang Yu heads the stellar cast from the golden era of Shaw Brothers under the brilliant directing of auteur Chang Cheh, and here underlies their next collaboration on the classic One-Armed Swordsman. The story centers on a swordsman on the run (Wang), with his beloved trailing to find him. The intensive action scenes are beautifully choreographed; setting an example for Crouching Tiger, Hidden Dragon and the like, 34 years later.
It is a story describing the friendship between a poor guy and a rich boy. Hua Heng (David Chiang) is a young artist with a chip on his shoulder who becomes friends with Tu Chia-chi (Alexander Fu Sheng), the only son of a rich man who is attracted by Hua Heng's carefree way of life.
Veteran filmmakers unite for one last blow-out before they make way for the new talent. Director Yen Chuan started acting in 1949 and directing in 1953, scripter Soong Shiao-waung started writing in the 1950's, star Ling Yun started acting in the 1960's. They all combine their proven talents for this tale of the Dragon Sword and the evil Security Agency guards, sensual swordswomen, and notorious bandits who want it.
A love triangle of the first order by one of Shaw's top directors Chin Chien. A psychiatrist falls for one of his patients at the same time another girl proclaims her love for him. An explosive mix of passion and misunderstanding...
A resourceful martial artist Shen Lang (David Chiang) attended a conference with other kung fu experts discuss avenging on Huan His-wang, a notorious gangster who had killed countless people in the martial world. But meanwhile Shen's fiancée, Chu Chi-chi (Ching Li), an arrogant and pretty girl, arrived at the conference and caused troubles without any reason. Embarrassed by her behaviour, Shen left the conference with Chu immediately. Both of them go on their pursue of Huan, but falls into a murder plot set up by Huan...
Laughter and action come fast and furious in Doubles Cause Troubles with Dodo Cheng and Maggie Cheung Man-yuk - two of Hong Kong's best actresses - as squabbling cousins who find themselves in over their heads after their tenant ends up dead. The gangsters are after them, the law suspects them, and they still don't know what they've done wrong! As the girls get more confused, they get drawn deeper into trouble. Will they be able to climb out again?
Carol Cheng, Maggie Cheung, Wilson Lam, Chan Pak-cheung
"Godfather of the kung-fu film" Chang Cheh, is famous for introducing the revolutionary concept of "yanggang" (macho) martial arts movies – paving the way for Bruce Lee, among many others. Until then, female stars (often in male swordsmen roles) ruled the screens. So collaboration between writer/director Chang and swordswoman supreme Cheng Pei-pei (now famous for CROUCHING TIGER, HIDDEN DRAGON) is exceptional indeed. Here she plays a righteous woman warrior who incurs the wrath of a "flying knife" master after she kills his rapist son. Lucky for her that an honorable dagger master played by Lo Lieh (the star of Shaw Brothers' first international kung-fu hit KING BOXER) is on her side. Although extremely attractive when she only played heroes, Cheng could hold her own with any man, freeing Chang to create the best of all possible martial arts worlds.
Veteran director Lu Chun-ku leads handsome Liu Yung, pretty Liang Yun-hsin, and “Thundering Mantis,” Liang Chia-jen on a madcap mixup filled with cons, double crosses, and triple plots. It’s starts in sickly comic style as the trio’s fathers are poisoned by Lady Wu so she could steal the rare artifact known as the Double-Faced God. Extracting a deathbed promise from their wives to train their children to take back what is rightfully theirs, the siblings grow up to exact a vengeance that is more hilarious than horrific.
Cantopop king Aaron Kwok shows that he can kick and chop with the best of them. As THE BARE-FOOTED KID, he's an innocent country bumpkin/martial arts whiz in the Ching Dynasty who proves more than equal to the city slickers whose path he crosses. Ably assisted by director Johnnie To and with martial arts choreography by the legendary Liu Chia-liang, Aaron Kwok - generally acknowledged to be the best dancer among the pop idols - proves that he's equally graceful at kung-fu. The ladies in the bare-footed kid's life are impressive as well, with Maggie Cheung Man-yuk an introspective widow and Jacklyn Wu a rambunctious rich girl. Most imposing is Ti Lung, playing a mysterious fugitive, showing that he still possesses the screen presence that first brought him to kung-fu superstardom over twenty years earlier.
The story is simple(Shaolin vs. Manchu traitors), but the effect was anything but, as the screen’s most charismatic action team with a legendary and revered choreographers for scenes of unparalleled power.
David Chiang, Ti Lung, Fu Sheng, Chi Kuan-chun, Meng Fei