Martial arts genre auteur Chang Cheh teams up with action stars Ti Lung and David Chiang again. Ti Lung is the "armour" of an armoured carriage taking silver to the capital. Along the way a mysterious knight (David Chiang) begins to stalk him. As Ti Lung is surrounded by various bandits, Chiang has to save his new friend and risk his own life. Later, the two happen to be involved in a love triangle with Li Ching.
Li Ching, Ti Lung, David Chiang, Ching Miao, Ku Feng, Chen Hsing
The beautiful Ching Li works for her father's stocking company while treacherously becoming the secretary to her father's competitor Li Tzu-yang. They fall in love as she teaches him new meanings to the words 'mannequins' and 'hosiery'.
Ching Li , Tien Ching , Ling Ling, Ling Hsiao , Cheng Chun-mien
Only the Shaw Brothers Studio could conceive and produce such a spectacular clash of esoteric weapons. Fans of the internationally popular "FLYING GUILLOTINE" films will appreciate the continuous kung-fu confrontations with some of the most intriguing and exciting martial arts machinery ever seen on screen. The studio's first international action star, Lo Lieh (who burst upon the scene before even Bruce Lee in KING BOXER) leads the charge as holder of the title tool -- an ultra-cool flying boomerang with blades. He must take on the terrible Iron Ball Chain, Golden Net, and other deadly devices to gain control of a special elixir which will cure an all-too-treacherous royal official. Tang Chia and Yuen Cheung-yan, the underrated giants of kung-fu choreography, stage some of the best sword on shield action ever in this fun and unusual fight-fest. There are double crosses and ambushes galore before the culminating clash of sizzling steel that has to be seen to be believed.
Unarguably the greatest character in kung-fu film history is Huang Fei-hong. Arguably the greatest director of pure kung-fu films is Liu Chia-liang. Putting the two together was natural, since Liu started his career working on the classic Huang, and his family was trained by students of the real Huang Fei-hong! So after his first film as director, THE SPIRITUAL BOXER, was a huge hit, Liu decided to make the greatest tale of Huang and his "sifu" (teacher) ever filmed. He made a star of his adoptive brother, Gordon Liu Chia-hui, in the leading role, and filled the cast with family members, friends, students, and the best Shaw Brothers had to offer. He even played the villain himself. The result was more Liu magic, with an honorable message of righteousness that rings true through the decades.
Gordon Liu Chia-hui, Chen Kuan-tai, Wang Yu, Lily Li
This is a film that has won the Best Colour Film Art Direction at the 1977 Golden Horse Awards. Liu Yung (one of Bruce Lee's favorite co-stars) takes center stage as the Ching Dynasty main character, who seeks out court corruption with the help of a streetwise youth played by Wang Yu (Dirty Ho). They use wit and style to teach the corrupt officials a lesson, and when those officials learn that Liu Yung is the emperor, they beg for his forgiveness. This production proved so popular that director Li Han-hsiang took over to helm two successful sequels.
A disguised and mysterious female thief has been committing crimes across the city and a police woman is determined to track her down. The temptress' impersonation skills fool even the officer's loving boyfriend. The surprise ending will blow you away!
In a rare reversal of typecasting, Shaw Brothers' perennial bad guy Lo Lieh breaks tradition to play the honorable and noble swordsman in The Swift Knight. Similar to Danny Kaye's The Court Jester without the jest, it's tale of brave knights, chivalry and fair maidens where the Swift Knight (Lo Lieh) finds himself involved in romance, court intrigue and deadly jousts while trying to protect a baby who is the Emperor's secret heir apparent.
Lo Lieh, Margaret Hsing Hui, Huang Tsung-hsing, Chin Han
Betty Loh Ti displays an ethereal loveliness that earns her the nickname "Classical Beauty" in this classic tale that combines a very contemporary comic sense with traditional Mandarin opera tunes. Add on a score by celebrated composer Yao Min and a script by future super director King Hu (a.k.a. Hu King-chuan) and you have a perfect showcase for subtle humor and legendary beauty - one of the Hong Kong's most legendary screen personalities. Betty is a perky maid who helps manage the love life of her young mistress (Ting Ning). The task isn't as easy as it sounds, with gender-bender twists such as a young scholar masquerading as a woman (Chiao Chuang), and a bandit's voluptuous sister (Chang Chung-wen) disguised as a man.
Director Chu Yuan has been hailed as the premiere screen interpreter of famed author Ku Lung's martial arts novels, and this is one of their best. This is an exciting tale of two rival swordsmen in imperial China vying with a power-hungry villain for possession of the dangerous "Peacock Dart"It showcases brilliantly choreographed fights, glorious settings, superb cinematography, exceptional scenes, and a strong cast. It all leads to a final showdown that stands out as a highpoint in kung-fu cinema.
Based on a novel by the great Eileen Chang and directed by the equally acclaimed Ann Hui, this sad but beautiful romance story sets during the World War II, where dreams of riches and love are shattered by reality.
It all started with THE FIVE VENOMS, the internationally loved kung-fu thriller which introduced director Chang Cheh's recurring cast of martial arts masters. It continued through more than a dozen high-flying, bloody good entertainments featuring the same action actors in pairs, trios, quartets, and, most memorably, quintets. While this is considered the last official "Venoms" movie, what a film it is. The title does not lie: an evil prince has secreted stolen imperial treasures in a building that practically bristles with booby-trapped blades. Bodies are pierced, limbs are cut off, and there's one plasma-spurting attack after another as heroes and rogues alike try to solve the secrets of the hell house. The core Venoms themselves choreograph the gory fun in this fond farewell to their worldwide film series sensation.
Lu Feng, Wang Li, Lung Hien-Chiang, Chien Hsiao-Hou
Young Chang Shun (Ti Lung) meets Wen Jou (Li Ching) when her sports car breaks down, drives her home and falls in love with her. Dancing with Wen Jou at a nightclub, Chang meets her brother Wen Chiang (Chen Hung-lieh) who dislikes him intensely. Wen Chiang's gang is after Chang and Wen Jou is forbidden to see him again. When Chang and his pals are beaten up by Wen Chiang's crowd, the humiliated Chang takes the pistol he's found and heads for Wen's home. He shoots him dead. Chang next dates Jou and the two go for a drive. Their car is tailed by the cops and soon surrounded. Chang reaches for his pistol and is gunned down, but his weapon is not loaded...
When super director Chang Cheh found new talent and blood with "The Five Venoms" actors, most of which were trained in the highly acrobatic Chinese opera and well versed with exotic martial arts weapons, this created a new spark for his use of bizarre weapons in his films. The Flag Of Iron is one of 20 movies that he directed featuring the utterly flabbergasting and physically exhausting action bits created by these five dudes. You have the good guys from the righteous clan versus the bad guys from the villainous clan and it's so filled with "don't-blink-or-you-will-miss-something" gags, you will need to watch it over and over again so you can see the things you missed.
Kuo Chui , Chang Sheng , Wang Li , Lu Feng , Lung Tien-chiang