Costume drama auteur Li han-hsiang adapts thee erotic and mystic tales from the Chinese classical literatures and visualizes them on screen into an instant cult classic. Starring the hottest stars Tien Ni, Hu Chin, Chen Ping, Yang Chun, and Yueh Hua, the stories span across time from the Tang to Ming dynasties, filled with exotic characters such as emperors, concubines, monks, and fortune-tellers, intertwined in a world of adultery, lust and greed. Costume drama buffs should not miss it.
Ti Lung stars in this tale of mystery, treachery and feisty swordplay. Shen Teng Yi (Ti) protects the Pai clan's secret martial arts manuscript, which is jealously lusted after by other martial arts tribes. When the daughter (Ouyang Pei-shan ) of the Pai's Clan is threatened, Shen sends out his gifted lover, Yan Fei (Ching Li) as a decoy to uncover who is behind the tricks and deceit... and close in!
Even at an early time during Hong Kong's erotica cinema development, highly renowned directors were willing to sacrifice their reputations and established actresses were lining up to take off their clothes. In Facets Of Love, the undisputed king of epic dramas, director Li Han-hsiang, gets some of Shaw's sexiest ladies to strip for camera. It's three sexy vignettes centering around a Ming Dynasty brothel that steams with secret erotic myths, trysts and twists of pleasurable indulgence.
Sun Chung, teams up with real-life kungfu champion Chen Kuan-tai and martial arts choreographer Liu Chia-yung to tell the tale of a bandit...with a conscience. The story is about Ku Hui (Chen Kuan-tai), a skilled Kung Fu artist who has been brought up in the Wolf Heads Bandits Camp. When the old leader dies, the power and authority pass on to Tu Chien-chiang ()Wu Chi-ching. Their brutal and murderous deeds greatly antagonize Ku Hui, resulting in unpleasant clashes between him and this rising generation of cruel young highwaymen...
The beautiful Ching Li works for her father's stocking company while treacherously becoming the secretary to her father's competitor Li Tzu-yang. They fall in love as she teaches him new meanings to the words 'mannequins' and 'hosiery'.
Ching Li , Tien Ching , Ling Ling, Ling Hsiao , Cheng Chun-mien
Three young martial arts students and their teacher are beaten up badly by a wandering man who proclaims himself 'a corrector of bad kung-fu.' Determined to avenge their teacher and regain their honor, the three students go their separate ways to find kung-fu masters who will take them as students.
Based on a famous Chinese opera, this period drama stars the beloved screen pairing of the wildly popular Ivy Ling Po (Vermillion Door) and Li Ching, one of Hong Kong’s most famous on-screen couples. Ling Po was renowned for playing male Cantonese opera roles while the child star Li, plays the enchanting female lead. While visiting a temple, a young impoverished scholar, Zhang Sheng, is enchanted by the daughter of an influential family, Hong Niang. When the safety of Hong Niang is threatened by revolutionaries, Zhang does all he can to keep her from harm. Seeing the love between the young couple, Hong’s maid (Fang Ying) helps bringing the young couple together, who secretly have their rendezvous in the West Chamber, in spite of her family's objections! It is romance, tears and classic melodrama as the couple fight for love.
A special place deserves a special epic, which is what this battle between a brave brand of Chinese boxers and literally thousands of Ching troops is – complete with betrayals, intrigues, and such novel fighting machines as 108 wooden robots.
Veteran director Lu Chun-ku leads handsome Liu Yung, pretty Liang Yun-hsin, and “Thundering Mantis,” Liang Chia-jen on a madcap mixup filled with cons, double crosses, and triple plots. It’s starts in sickly comic style as the trio’s fathers are poisoned by Lady Wu so she could steal the rare artifact known as the Double-Faced God. Extracting a deathbed promise from their wives to train their children to take back what is rightfully theirs, the siblings grow up to exact a vengeance that is more hilarious than horrific.
The collaboration between auteur Chang Cheh and action star Chen Kuan-tai proved to be the most prominent showcase of the martial arts genre. Riding on their landmark successes Boxer From Shantung and Man Of Iron came this powerful, exciting tale of a hot-headed patriot (Chen) entwined in the collapse of the Qing Dynasty and the rise of the new China republic. Filled with non-stop action when our hero enters the lion's den alone to rescue his revolutionary friends.
Cherrie Chung plays Rita, a rich merchant's mistress whose idyllic life as well as her neighbours' are shattered when violence visits the village. Both Rita and the coquettish Mrs. Wang are having affairs with the village postman. One day, Mrs. Wang disappears. A little lame girl, Marble, tells her grandmother that she saw two people quarrelling and one falling into the water one rainy night. When the police find no evidence of foul play, the precocious Marble and her friends carry out their own investigation. She gets in way over her head; now the killer knows there is a witness to his crime.
Cherrie Chung, Ku Feng, Chin Yen-ling, Tang Chen-yeh
This "bloody good" film is generally considered the second last 'Venoms' film... and what a penultimate adventure it is! Kuo Chue takes on an amazing dual role that comes along with complications and kung-fu that are wonderful to watch. Judging by exceptional 'Venom' film standards, Ode To Gallantry stands out.
One of Shaw's darlings of the screen, Lily Ho (Casino, The Water Margin) gives a heart-warming performance as Chef-chi, in this Cinderella comedy and romance. At a party, Chef falls in love with the son (Lin Feng) of a rich man that her father (Cheng Chun-mien, Hong Kong's answer to Elvis Presley) works as a chauffeur for. Being from such a poor family, Chef can't reveal who she is or what her father does for a living. Her father is furious that she has fallen for the boss' boy; does she have no class conscience? Mayhem, drama and a run of hilarious circumstances ensue. This asks us, can love truly cross class boundaries?