The ship of pirate Chang Pao-Chai (Ti Lung) springs a leak after an otherwise successful raid on a foreign ship. He goes ashore to get materials to patch his ship up, where he encounters corrupt Qing officials and poor, oppressed peasants. Being a good man at heart, he decides to help out and becomes an even bigger outlaw in the process.
This sequel to The Empress Dowager surpasses its predecessor in some ways. The attention to historic detail in the sets and costumes is everything one expects from director Li Han-Hsiang, the master of the costume drama. Variety hailed the production as "lavish, the script tightly packed"; Variety also concluded that the "filmmaker's efforts to try to make things perfect, to put his audience back in the days of the Empress Dowager and her son, have come off once again."
This film was actually a lively forerunner to the gambling film craze, which eventually swept Asian cinema. Here, it's cardsharp versus cardsharp with a lot more kung-fu action, in a battle of wits and fists to become the king of the casino. The double stings and triple crosses raise in complexity and imagination until what started as an unusual box office risk became a top ten hit of 1976.
Wu Sung (Ti Lung) beats a vicious tiger to death in Yang Ku on his way back to the town. The local magistrate appoints him assistant chief constable because of his bravery. When he comes across his ugly brother, Wu Ta-lang (Ku Feng), he is taken home to meet his alluring wife Pan Chin-lien (Wang Ping). Pan is smitten with Sung and attempts to seduce him, but Sung forcibly rejects her. When her husband returns, she accuses her brother-in-law instead. Wu Ta-lang does not believe her, but Sung nevertheless leaves quietly on a mission to another town.
Heroes Of Sung stars one of the original kung fu ladies of the silver screen, Shih Szu, who plays swordswoman Meng Hung. She must work with Fan Tien-Fu, played by Lo Lieh to find and protect the royal seals of the Sung Dynasty. Shih's magnificent performance earned her the female hero role in another hit Dracula And The 7 Golden Vampires.
In Sex, Love and Hate, director of erotica and kung-fu films, Chu Yuan, combines stars from both genres to create a masterpiece about Hong Kong society's differing views on love and what women want from it. The provocative Chu Tai (Ching Li), exotic Pai Mei (Lily Ho) and the princess of kung-fu films Yao Yao (Hsu Feng) compare notes on what makes them happy in love, and then subsequently proceed to find it.
Chiang Sung-ping (Chiao Chuang) is a nightclub drummer, he take care of his passed-away teacher, Su's daughter Su Ling (Ivy Ling Po). Chiang trains Su Ling to be a popular singer and they admire each other. Vocalist Pai Lu (Shen Yi), who has feel affection on Chiang, worried he may fall for Su Ling. Pai Lu starts Chiang off on drug habit and tells Su Ling. In desperation, Su Ling decides to leave Chiang...
It's this critically-acclaimed tale of mystery and the supernatural as well as swordplay. From its very first moment, the viewer knows they are in for something special, given that the protagonists are ex-swordmasters who now find joy in the creation of umbrellas. The intriguing sequences continue as our umbrella makers track down a kung-fu zombie burial party led by a disappearing hunchback carrying a red coffin which is filled with a living dead heroine. And that's just the start of an adventure pitting an umbrella maker against a zombie maker, who possesses the mythical title and power. Mystery thrills, horror chills and kung-fu spills await anyone fighting Madame Kung Sun's 'Finger Of Doom'.
Ivy Ling Po , Chin Han , Po Chih-hsien , Chen Feng-chen
A Chinese costume version of the legend of French King Louis XIV, Shin Yung-Kyoon plays the double role of twin sons of the Emperor who are separated as children. One is a brave noble warrior, the other is a debauched ruler whose suspicion is so great he orders his very own sibling's face to be hidden by an iron mask. The ever-talented Li Ching co-stars as the princess, a love interest for both brothers.
A year before he was to direct King Boxer -- the first Hong Kong kung-fu film ever to break into the international market -- Cheng Chang-ho both wrote and directed this powerful martial arts movie. Ling Yun, of Gun Brothers and Hellgate (among many others), ably plays a magician-warrior who initially protects the villain from an ambush by the title heroes. But after his wife's and friend's deaths, he must fight to set things right.
One of Shaw's darlings of the screen, Lily Ho (Casino, The Water Margin) gives a heart-warming performance as Chef-chi, in this Cinderella comedy and romance. At a party, Chef falls in love with the son (Lin Feng) of a rich man that her father (Cheng Chun-mien, Hong Kong's answer to Elvis Presley) works as a chauffeur for. Being from such a poor family, Chef can't reveal who she is or what her father does for a living. Her father is furious that she has fallen for the boss' boy; does she have no class conscience? Mayhem, drama and a run of hilarious circumstances ensue. This asks us, can love truly cross class boundaries?
Frankie Wei Hung is the Swordsman At Large, who is hunted down by practically everyone. A superlative sword is created just for the purpose of taking his life, but the blade becomes more coveted than the hero's death by it! Bandits, beauties and blade masters battle for grandeur in this exciting story of deceit, betrayal and death; expertly guided by the director who brings showcases to the Shawscope screen!
Margaret Hsing Hui, Tina Chin Fei, Frankie Wei, Yu Feng
There are martial arts epics and "brotherhood hero" films but then there is nothing out there that comes even close to THE WATER MARGIN. Based on the classic novel and true legend, ALL MEN ARE BROTHERS about how 108 rebels bravely fought against the Sung Dynasty, just about every big Shaw Brothers’ star around at the time, David Chiang, Ti Lung and Chen Kuan-tai to name a few, were called in to do this film to make it one of the most dynamic films in the history of cinema. The film exhausts you with its wild and wooly, yet heroically primitive battle scenes that ultimately end in sharp and visually effective images of death, defeat and heroism. It won Honorable Mention for Dramatic Feature at the 1972 Golden Horse Awards.
David Chiang, Ti Lung, Lily Ho, Chin Feng, Yueh Hua