Monk Tang San Zang (Ho Fan), Monkey (Chou Lung Chang), Pigsy (Peng Peng) and Sha Wu Jing (Tien Shun) find themselves in Womanland, where women give birth to baby girls by drinking the magical spring water.
This is Sun Chung's very first film for the Shaw Brothers, making it especially interesting and important. He hit the ground running with this action-filled tale of a :Devil Girl" who is setting one clan against another to get her hands on two amazing mirrors with supernatural powers. Only a noble swordsman (played by Liu Tan) and beautiful swordswoman (played by The Thundering Sword star Shu Pei-pei) can stop her.
In 1975, Ho Meng-hua, master of the "esoteric weapon" kung-fu thriller, started an international sensation with The Flying Guillotine. But while he went on to direct such further "crazy cutlery" hits as The Dragon Missile, popular demand insisted upon a sequel to the original decapitator-on-a-chain. So, first, they got a script by a trio of writers, featuring a new, improved "Ring-Chain Flying Guillotine" and the only weapon that can stop it, the "Toothed Wheel". Next they matched Cheng Kang, the director of their popular true crime thriller The Criminals, with Hua Shan, the director of their superheroes Super Inframan, to double-team the project. Then they cast some of the best martial arts actors in their repertory - all ably choreographed by the often unsung, but universally respected Tang Chia. Finally they filmed Ti Lung as a fugitive from the emperor’s cruelty, against the whole F.G. gang in a blade-on-blade battle to the headless death!
The "Venoms" were no more. After five years and more than a dozen films together, the only one of the original five who proved so successful for the director was the muscleman Lo Meng. But with just that one "venom" and his incredibly agile new star Cheng Tien-chi, he made this spectacular, internationally popular, favorite. Evil ninjas (who attack with, and from, fire, sun, wood, water, and the ground) brutally slaughter a noble Chinese kung-fu school's students. The one survivor finds a teacher and four students who are ninjitsu experts. The five graduates take revenge. With this strong structure and exceptional kung-fu choreography (from the star and co-star Chu Ke), Chang Cheh produced platinum. This film was one of the director's best of his superheroic, grand guignol period. By any name, it could be called, almost literally, "bloody good" entertainment!
Acclaimed director Chu Yuan was credited for bringing mystery and detective thriller ingredients into his atmospheric and character-rich martial arts epics, and this is one of the most impressive examples. The title refers to the nickname of a notorious rapist-murderer who swoops down to destroy one swordsman's fiance and frame another. Or does he? The two tragic men team with a beautiful swordswoman searching for her missing father to find the truth — only to discover incredible traps, ambushes, duplicity, avarice, and betrayal between them and the mystery's solution. They survive blades, bombs, and even poison gas to reveal priceless treasure and coveted kung-fu manuals before the Bat is beaten at his own insidious game.
Ching Li , Derek Yee , Ouyang Pei-shan , Wang Jung
Chou Lian Huan (Chen Kuan Tai) is good at fist fighting in Shanghai. In order to please a hostess named Chen Ju Fang (Ching Li), he is willing to sacrifice everything and fight against the son of the gang leader in Shanghai. However, is Chou’s action worth it?
Lo Lieh was famous as Shaw Studio's first international kung-fu film star. He was famous throughout Asia for dozens of superlative performances in everything from horror to modern thrillers to martial arts. But it was the rare saga Lo also directed, and this was one of those special events. Following his huge success starring as the infamous Shaolin Temple traitor in preeminent kung-fu filmmaker Liu Chia-liang's Executioners From Shaolin, he returned to the role in this, a combination sequel and remake. Liu stayed on as choreographer, while his famed adoptive brother, Gordon Liu Chia-hui, and his discovery, Hui Ying-hung, stepped into the starring roles. The result is a lighter-hearted entertainment, as our hero learns "Embroidery Fist" and acupuncture to counter the evil White Lotus leader's deadly "Weightless Boxing" and "Nerve Centre Shutdown" techniques. The permutations of their fights are delightful to behold.
The 18th century reign of Emperor Chien Lung has proven to be a treasure trove for Hong Kong filmmakers, and director Li Han-Hsiang, the acknowledged master of the costume drama, made a series of four blockbusters about the dashing young swashbuckler's exploits. The scenario won the Best Adapted Screenplay Award at the 1979 Golden Horse Awards, and told of the monarch's incognito journey from Beijing to southern China... and imperial mayhem that ensues!
Three young martial arts students and their teacher are beaten up badly by a wandering man who proclaims himself 'a corrector of bad kung-fu.' Determined to avenge their teacher and regain their honor, the three students go their separate ways to find kung-fu masters who will take them as students.
This is the acting debut of Yuan Te, Jackie Chan's kung-fu classmate. He plays the downtrodden kung-fu student Ko Chien, who saves the life of a kung-fu master played by Chen Kuan-tai.
Chen Kuan-tai, Wang Lung-wei, Wen Hsueh-erh, Yuan Te
After making superstars of Jimmy Wang Yu, Ti Lung, David Chiang, Chen Kuan-tai, and others, esteemed martial arts movie master Chang Cheh decided it was time to cement the stardom of soon-to-be international favorite Alexander Fu Sheng. This film - following the director's SHAOLIN MARTIAL ARTS, FIVE SHAOLIN MASTERS, and DISCIPLES OF SHAOLIN - was clearly Fu's showcase. Rather than sharing the screen, as he had in the previous Shaolin trio, here he was clearly the sole hero, and took full advantage of that fact. He gives both a great dramatic and martial arts performance as an honorable carriage driver who finds love and death when he comes to the rescue of a girl being harassed by particularly venal, homicidal punks. This fight-filled thriller was made even more special by its introduction of the unusual 'Tsai' 'Li' 'Fu' kung-fu style - for which it had its own separate off-stage instructor (Yen Yat liang).
Alexander Fu Sheng, Jenny Tsang, Wang Lung-wei, Liang Chia-jen
Also known as Seven Soldiers Of Kung-fu and 108 Heroes, this sequel to the martial arts blockbuster The Water Margin is considered by many kung-fu cultists as even more action-packed than the original. Based on one of China’s enduring epic novels, written in the 14th century, All Men Are Brothers continues the patriotic story of righteous warriors battling despotic leaders, featuring mythic characters familiar to every Chinese, and with a cast that has achieved an equally celebrated status among Shaw Brothers devotees: Ti Lung, David Chiang, Chen Kuan-tai, and Danny Lee. A hard-edged feminine touch is provided by Lily Ho and Betty Chung Ling-ling. The behind-the-camera line-up is also of mythic proportions, with direction by Chang Cheh and no less than four martial arts choreographers, including Liu Chia-liang and brother Liu Chia-yung.
Betty Chung Ling-ling, Ti Lung, David Chiang, Chen Kuan-tai
The story follows Monk Tang San Zang’s (Ho Fan) journey to the West in search of the Buddhist Sutra. On the way, he encounters and takes as disciples, Monkey (Yueh Hua), Pigsy (Peng Peng) and Sha Wu Jing (Tien Shun).
Long before CROUCHING TIGER, HIDDEN DRAGON wowed the western world, COME DRINK WITH ME set an entirely new standard for martial arts movies in the Far East. Director King Hu not only broke new ground but set the groundwork for all the action films that followed, including CROUCHING TIGER, HIDDEN DRAGON. COME DRINK WITH ME tells the story of a mysterious swordswoman nicknamed "Golden Swallow", and the even more mysterious swordsman, "Beggar". They join forces to free a kidnapped official from a Buddhist monastery run by a corrupt abbot with incredible kung-fu powers. But the real attention-getters are the ingeniously staged action scenes and a cast of characters that looks as cool today as when the film burst upon the cinema scene in 1966.
