Veteran filmmakers unite for one last blow-out before they make way for the new talent. Director Yen Chuan started acting in 1949 and directing in 1953, scripter Soong Shiao-waung started writing in the 1950's, star Ling Yun started acting in the 1960's. They all combine their proven talents for this tale of the Dragon Sword and the evil Security Agency guards, sensual swordswomen, and notorious bandits who want it.
This bizarre adaptation of the Chinese literary classic “Romance of the Three Kingdoms” by famous director Chang Cheh’s is about a heroic “swords-ghost” who wreaks havoc against one of the corrupt kingdoms.
Audiences echoed the name of this film after seeing Nat Chen Pai-chiang create the title character in Hong Kong Playboys and Prince Charming. This time, Lolanto takes center stage in a script written by both the director and the star. An angry man is chasing him all over Hong Kong as he tries to deal with his feelings for the idiot daughter of a wealthy mobster. Will Lolanto live happily ever after? Don’t count on it, but do count on lots of laughs in this madcap mixup.
Chan Pak-cheung, Patricia Ha , Wang Yu , Chen Hui-min
Revered director Chang Cheh hit international gold by teaming three Taiwanese Opera artists (Lu Feng, Chiang Sheng, and Kuo Chue) with a Chinese muscleman (Lo Meng) and a Korean kicker (Sun Chien). The quintet starred in more than a dozen movies together, which were popular worldwide. This time it's a battle between security agencies, and the men known as Twin Blades (Chiang Sheng), Magnificent Kicks (Sun Chien), Sharp Axe (honorary "Venom" Wang Li), Magic Pole (Kuo Chue), and Golden Sword (Lu Feng) take each other on until the last drop of blood is spilled.
To the tune of the Osmonds hit song, this is a story of adolescent playfulness & innocence lost. Two best friends grow up together and teasingly meet two delightfully impish boys leading to the four to flirtatiously intermingle. However, the innocence of partner swapping eventually leads to a roller-coaster bouts of misunderstood emotions.
Yu Lou is betrayed by his wife, and eventually killed by her lover, Fung, who is the boss of a martial arts school. Yu Lou’s brother Xiao Lou knows about his tragic death and is determined to take revenge on Fung and his sister-in-law.
Film lovers and critics went out of their way to praise this Liu Chia-liang version of the Shaolin destruction and revenge epic. Many called it the preeminent kung-fu director's best and certainly his greatest on the theme of history, martial arts, and family. Little wonder, since, beyond the Shaolin story, it also shows how Liu's own family style of kung-fu, Hung Fist, was created. There are unforgettable sequences throughout, highlighted by Hung Hsi-kuan (the mighty Chen Kuan-tai) and Fang Yung-chun's (the wonderful Lily Li) wedding night... where the lovers inexorably test their Tiger and Crane kung-fu styles in a symbolic treatment of a couple's power struggles. Almost equally unforgettable are the training sequences and a full three titanic confrontations with the White-Browed Hermit (the impressive Lo Lieh), betrayer of the Temple. The critics were right: Liu has out-done himself...as usual!
A love triangle of the first order by one of Shaw's top directors Chin Chien. A psychiatrist falls for one of his patients at the same time another girl proclaims her love for him. An explosive mix of passion and misunderstanding...
Arguably, the greatest kung-fu film director of all time is Liu Chia-liang. Unarguably the greatest kung-fu film character of all time is Huang Fei-hung. So what do you think would happen when you put these two titanic talents together? You get one of the finest "pure" kung-fu films ever made, with nary a character getting killed, but the thrills coming a mile a minute as two pugilism schools tests each other for a full hundred minutes. Following the director’s only other Huang Fei-hung film, CHALLENGE OF THE MASTERS, Lau returns his dynamic adoptive brother, Gordon Liu Chia-hui, to the leading role, then gives the king of screen villains, Wang Lung-wei, one of his few anti-heroic roles... just in time for a stunning climax unparalleled in its adeptness and invention.
A bandit became a warlord in the northern China by helping Russia fight against Japan. Because of his ignorance and silly behaviour, he was seen as a joke to the people. The warlord was finally killed by the daughter of a troupe master whom he had killed for no reason.
When Shaw Studio decided to produce an epic about the famous Italian explorer Marco Polo and his meeting with Mongolian emperor Kublai Khan, they turned to one of their most famous and respected directors. Chang Cheh, who had already proven himself by making such sweeping sagas as ALL MEN ARE BROTHERS, co-wrote this adventure of four Han blood brothers and their quest to avenge their comrade's killing at the hands of three sadistic Mongol warriors. He then surrounded famed Caucasian actor Richard Harrison (as Marco Polo) with the best the Shaw Brothers kung-fu film units had to offer, including future lead "Venom" Kuo Chue, "Master Killer" Gordon Liu Chia-hui, and "Thundering Mantis" Liang Chia-jen. The result is a splendid historical tale as well as a superlative martial arts thriller.
Lo Chi, a selective writer/director/actor, both scripted and helmed this showcase for Hui Ying-hung, legendary director Chang Cheh's discovery, and the protege of equally legendary director Liu Chia-liang. In addition, he created a central role for Liu's nephew, Liu Chia-yung. Both are engaging in this fast-paced, action packed comedy of kung-fu characters. Liu Chia-yung is saved from certain death at the hands of drug smugglers by a fisher girl, played by Hui Ying-hung, whose godfather is a "drunken master" and whose leprous godmother is mistress of the fairly off-putting Leprosy Boxing style. Want to bet he'll need that at the furious finale? You'd win that bet, enjoying the martial arts antics all the way. Action choreographers Huang Hsia and Chen Ti-ke also appear in this amusing, entertaining winner where flesh really gets into the fighting.
After getting into trouble with a local gangster, Chui Ho (Wang Lung Wei), a young man, Tam Dong (Fu Sheng) flees to San Francisco and managed to get a job in a restaurant in Chinatown. Tam Dong finds himself embroiled with the gang again while in San Francisco, and has to fight Chui Ho when the two meet again...
Li Han-hsiang wrote and directed this charming and fascinating comedy, Forbidden Tales Of Two Cities. The two cities in the picture are Macau, where a love quartet is a morally-unsound source for sexual entertainment; and Hong Kong, where a woman enters a gambler’s apartment to find four shackles hanging from his ceiling to aid in kinky activities...