This is widely regarded as one of the most controversial and erotic films in Hong Kong cinema. Chu Yuan helmed this 1972 cult classic featuring Lily Ho in her most audacious role as a beautiful and mysterious courtesan caught in a web of sex and murder with her powerful and ruthless madam (Pei Ti). The film's unprecedented genre crossover of lesbian-themed period thriller with eye-popping martial arts is a real screen gem for generations of movie aficionados.
It is love beyond the grave, as a young scholar and his beautiful lover are torn apart forever by his dastardly uncle and his friend, who drive the girl to commit suicide... but with death comes revenge for the enchanting ghost. A spooky yet heart-wrenching tale...
Chang Mei-yao , Yang Li-hua , Lei Ming , Tsui Fu-sheng
Two of Hong Kong's finest stars, Maggie Cheung and Jacky Cheung, are so versatile and capable in virtually any genre that it is cause for celebration for this production, Mother VS Mother. What is more, these 2 talents are combined with the magnificent 40-year veteran actress Teng Pi-yun and hilarious comedian Lydia Shum; a comedy triumph is presented to all who appreciates great acting.
An Iron Bodyguard (head of a security firm) called Wang Wu (Chen Kuan Tai) meets a scholar (Yueh Hua) and forms a strong friendship with him after fighting some villains together. The scholar is a member of the reformists – a group of scholars pressing for social reform in China towards the end of the Qing dynasty. The Emperor is actually all for reforms, and appoints this group to run the country. This doesn’t suit the Empress Dowager though, as she has no intention of losing her power. She orders the reformists to be arrested, and Wang Wu gets drawn into
the politics despite having no real political views himself.
Best Picture, Best Director, Best Music, Best Editing, Best Actress and special awards for outstanding performance, this sumptuous adaptation of a Chinese folk tale won them all. Glorious Betty Loh Ti stars as a beauty that disguises herself as a boy to get forbidden education. This sort of pre-Yentl gender-bender role-playing is traditional when it comes to Chinese opera, yet there is nothing old fashioned about the superlative screen treatment given to this all-time classic.
The "Venoms" were no more. After five years and more than a dozen films together, the only one of the original five who proved so successful for the director was the muscleman Lo Meng. But with just that one "venom" and his incredibly agile new star Cheng Tien-chi, he made this spectacular, internationally popular, favorite. Evil ninjas (who attack with, and from, fire, sun, wood, water, and the ground) brutally slaughter a noble Chinese kung-fu school's students. The one survivor finds a teacher and four students who are ninjitsu experts. The five graduates take revenge. With this strong structure and exceptional kung-fu choreography (from the star and co-star Chu Ke), Chang Cheh produced platinum. This film was one of the director's best of his superheroic, grand guignol period. By any name, it could be called, almost literally, "bloody good" entertainment!
A year before Lo Wei directed Bruce Lee in Fist Of Fury, he wrote and co-starred in this tale of a treacherous devil who wants nothing less than supreme power...and doesn't care if he has to murder the Emperor and use his own daughter as a deadly dupe to get it.
Chiao Chiao, Pai Yin, Tsung Hua, Wang Hsieh, Lo Wei
This period horror movie stars 70s idol Hsing Hui and a young Yon Fan (Yon Fan, director Sense of Color, The Purple Pavilion) star in this fascinating spine chiller with one chilling reminder... never marry a possessed woman, she'll never let you go! Young business man (Yon) marries pretty, much sought-after young bride (Hsing), never knowing that she carries the spirit of a girl raped by her uncle and murdered along with her parents... Justice must be done, and it ain't pretty!
Acknowledged as one of the greatest Hong Kong musicals, this lavish movie starring Linda Lin, who won Best Actress for her performance, infuses its wispy plot with style and wit, and the results are pure pleasure.
Whenever director Chang Cheh teamed up with Five Venoms, film plots were probably decided by flipping a coin - which of the fab five will play the good or bad guys, who lives or dies and which ones will do the fight. The Daredevils was just another example of Shaw Brothers’ sure fire formula to success: Venoms + Chang Cheh = maniacal frenzy x infinity. Of note, the only venom to make it in Hollywood was Kuo Chue, who choreographed the French film Brotherhood Of The Wolf and Michelle Yeoh's The Touch.