This is widely regarded as one of the most controversial and erotic films in Hong Kong cinema. Chu Yuan helmed this 1972 cult classic featuring Lily Ho in her most audacious role as a beautiful and mysterious courtesan caught in a web of sex and murder with her powerful and ruthless madam (Pei Ti). The film's unprecedented genre crossover of lesbian-themed period thriller with eye-popping martial arts is a real screen gem for generations of movie aficionados.
Tou Kuan (Chang Chan-peng) is a wealthy Kwangtung brat with a good kung fu background, he has only one ambition: to pit his wits against three shady masters of the North. The first, conman Che Tsai (Alexander Fu Sheng). The second, a professional romantic dubbed The Terrific (Nat Chen Pai-chiang). Terrific introduces Tou Kuan to his third rival, Thief Shih San-shou (Wang Yu).
Martial arts hero Ti Lung gets to flex his dramatic muscle in this horror movie about evil magic spells. In a departure from his normal roles, Ti plays Hsu Lo who runs up against an evil black magic practitioner San Kan-mi (Ku Feng). San Kan-mi wants to seduce Hsu's fiancee Wang Chu-ying (Lily Li) and places a death spell on Hsu and a love spell on Wang, hoping to kill two birds with one stone. Matters are further complicated when sexy widow Lo Yin (Tanny Tien Ni) casts her lascivious eyes on the tall and handsome Hsu. Fortunately for the spellbound lovers, Wang's friends manage to find another veteran witch doctor to take on the evil San Kan-mi. Supernatural battles of epic proportions ensue as this bone-chilling tale of good versus evil races to a heart-stopping ending.
Critically acclaimed Shaolin-brotherhood, film director legend Chang Cheh brings martial mayhem beyond reality as he merges The Five Venoms with Alexander Fu Sheng and David Chiang to add new levels to Dante's already agonizing "Inferno." Heaven And Hell screams bloody madness because the violent fight sequences will make you wince in disbelief while the notion of hell goes beyond psychotic.
Hsu Hsia, a great kung fu actor himself, both directs and leads a team of four martial arts choreographers for his tale of kung fu pickpockets (including handsome Chien Hsiao-Hou), who dodge the top cop ("Venom" muscleman Lo Meng) but run afoul of a killer club owner (king of Shaw Brothers villains Wang Lung-Wei). There are assignations to assassinations, and many battles which require both light-fingered larceny as well as two-fisted (and feet) fighting. The result is a fondly remembered and exceptional genre favorite.
A rare directorial foray for acclaimed martial arts choreographer Tang Chia, Shaolin Intruders is an entertaining amalgamation of eye-popping martial arts and thrilling detective story. On a routine courier mission, the prestigious Chin Hu Chief was murdered by four mysterious monks. When all evidence pointed to Ching Hua (Liu Yu-po) his friend Lei Hsin (Derek Yee) was determined to clear his name by barging in the Shaolin Temple thrice. When Lei thought justice was served for the culprits, he soon realized the table had turned and the monks stroke again. What followed is a series of intense pursuit for the ultimate villain﹗The film is filled with jaw-dropping action sequences developed by Tang and six leading choreographers of the era. Scenes including the "Blade Array", "Twelve Vajrayana Array" and the acclaimed "Stool Array" are all lauded as the defining Chinese screen gems, for their insane complexity and lightning speed.
Avid international kung-fu films fans have a special place in their hearts for this outstanding martial arts drama, which marked the ascension of director Sun Chung and action choreographer Tang Chia to legendary status. Tang also appeared as the "Chief Security Officer" in this powerful tale of the Thirteen Eagles Assassination Sect of the infamous Iron Boat Clan. Ku Feng is excellent as the poisonously patriarchal leader of the killers, but conflicted "son" Ti Lung and vengeful victim Alexander Fu Sheng command the screen as consummate warriors united in tragedy. Everything is exceptional in this endlessly entertaining production: from the cinematography of Lan Nei-tsai, to the script by Shaw Brothers' writing wizard Ni Kuang, to the editing of Chiang Hsing-loong and Yu Hsiao-feng, which deservedly won the Golden Horse Award.
The Pure and The Evil begins with two teen girls who are inseparable but ends like Fatal Attraction where guttered sexuality leads to insanity. Rose and Fang were from opposite ends of the spectrum, but nevertheless were close. The refined Fang moves to America but returns years later to see her old buddy Rose who immediately takes an eye to her fiancé. Things quickly digress into erotic deteoriation as Rose's thorns begin to stick in Fang's and her fiancé’s sides.
In Swift Sword, popular director Ho Meng-hua exposes a whole cast of established talent to create a searing martial arts extravaganza that reeks of steel-slashing bewitchment worthy of any swordplay epic.
Director Wong Jing is widely regarded as one of the founding fathers of the gambling genre films, and now Shaw Showcase brings to you one of his earliest blockbusters from two decades ago. Starring genre icon Shih Hsien with the stellar cast of Wang Yu, Huang Chin-sang, Chen Kuan-tai and Huang Hsing-hsiu. Embedded with Japanese spies, Shanghai tycoons, beautiful starlets, and enough twists and turns on the gambling table, Challenge Of The Gamesters promises to deliver superb entertainment.
Wang Yu, Huang Chin-sang, Shih Hsien, Chen Kuan-tai, Huang Hsing-hsiu
Beloved comedian Yi Lei stars in this horribly amusing 1980 comedy. Yu Nan (Yi Lei) is a compulsive gambler. When his debt collector decides he wants Yu's wife as down payment, a reluctant Yu agrees. But when Yu's wife discovers the trade-off, she leaves him. Yu decides that it's best to kill himself but is stopped when he's offered the hand of a beautiful ghost (Pei Ju-hua) as his new wife...
Besides his pioneering films based on authentic martial artistry and kung-fu comedies during the 1970's, acclaimed director Liu Chia-liang also embraced the master/pupil relationship to form the cornerstone of many of his other works where his characters exhibited physical and moral failure as a means to either "make them or break them". Besides directing MAD MONKEY KING FU, it's also Liu's debut as a lead actor playing down and out, monkey kung-fu master Chen, crippled by the ruthless villain Tuen (Shaw's penultimate bad guy Lo Lieh). Street boy Hsiao Hou (which means "little monkey" and played by popular martial arts aerialist Hsiao Hao) convinces Chen to teach him monkey kung-fu to avenge Chen's shame. The wacky training sequences and outlandish finale fight leave you stupefied.