Director/actor Chan Friend joined award-winning social satirist Alfred Cheung Kin-ting to create and act in this delightful variation on the hugely successful British Carry On! film series. It all takes place at St. Morant Hospital where a harried but lovely administrator (Meg Lam) must deal with lusty interns, chaste (and chased) student nurses, a delirious surgeon, a dissection fiend, a criticizing Commissioner, and gross negligence at regular intervals. This group couldn’t fix anything...but your funny bone.
Lute demon Chin Mo (Pai Piao) has reappeared in the world to wreak havoc. Hsiao Feng-ling (Hui Ying-hung) is ordered to help find a special bow and arrows that can counter the demon. Only Chiao Yin (Lung Tien-chiang) knows the whereabouts of the weapon. Hsiao and her classmate Old Naughty (Yuan Te) sets out on an arduous journey to find Chiao. After fighting off many obstacles, they catch Chin Mo's man trying to snatch the bow, and stop him in time...
A Chinese costume version of the legend of French King Louis XIV, Shin Yung-Kyoon plays the double role of twin sons of the Emperor who are separated as children. One is a brave noble warrior, the other is a debauched ruler whose suspicion is so great he orders his very own sibling's face to be hidden by an iron mask. The ever-talented Li Ching co-stars as the princess, a love interest for both brothers.
It's Meng Yuan-wen (star of The Master Strikes) versus Kuan Feng in this wild and wacky wushu saga of a priceless pole with a spectacular secret. A master martial artist's silly disciple struggles to save it from an evil white slaver, the slaver's duplicitous wife, and even his own bone-headed, but greedy, companion. Hsu Hsia choreographs the abundant action, as he had for both Five Superfighters and Drunken Master. The result is both sublime (for its kung-fu) and engagingly ridiculous.
Meng Yuan-wen, Chin Huang, Pan Ping-chang, Kuan Feng
David Chiang teams up with Chang Cheh's acclaimed screenwriter Ni Kuang (who has written over 300 screenplays) to continue his epic "heroic brotherhood" caricature in his second directorial feature, The Condemned. In the film, Chiang plays a righteous character who helps an injustly imprisoned swordsman accused of stealing. Together they break out of prison and serve notice to all the evil men in their lives that a new deadly duo is in town.
No list compiled of all the screen's comic geniuses would be complete without Michael Hui. He created a hilarious and lovable comic persona that was both uniquely Asian and universally beloved. The Warlord, his first film, not only showcased his incomparable sense of humour but also a revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th century China, but makes the role his own with comedy. Some of the sexiest ladies on the Shaw Brothers lot add on to the ingenuity of the movie.
On a continent which reveres its martial arts, the director's nickname is "Kung-fu Liang" - holder of a filmography unprecedented in its innovation of theme, ingeniousness of plot, and imagination of its astonishingly designed kung-fu. This production is clearly the culmination of his initial Shaw Brothers work - the film which he used as a showcase for his and his brothers' - Chia-yung and Gordon Lui - skills. In the premiere, groundbreaking book on the genre, Martial Arts Movies, author Ric Meyers called it "the quintessential martial arts movie" and perhaps the greatest kung-fu movie ever made. Showing prescience customary with this visionary, the plot revolved around early 20th century pugilists vainly attempting to find a kung-fu which could defeat the bullet... years before the same theme would be used in Once Upon A Time In China. It also features the rarely dramatized magician-spies of China, who would ultimately inspire the Japanese ninja. But most importantly, it is a beautifully made action comedy featuring international fan favorite Alexander Fu Sheng and supremely brilliant kung-fu.
Liu Chia-liang , Liu Chia-yung , Hui Ying-hung , Gordon Liu
Da Yung is the son of an entrepreneur of a big corporation. Lian Lian is the niece of a Kindergarten’s principal. Fate has brought them together as Da Yung loses his wallet by mistake when they first met. Further misunderstanding occurs when Da Yung tries to use Lian Lian as an excuse to drive the two women he does not love away. Legendary actress and Golden Horse winner Joan Lin stars in this romantic comedy.
King of tension, Sun Chung directs this insightful melodrama into the hopes of young 1970s kids for love and romance, and rarely for a Hong Kong film, sex! In order to escape from her mother fiddling in her love life, young office worker, Li Mingli (Lin Chen-chi) moves away from home to live on her own. Now independent, she falls in love with novelist, Gu Nongfeng (Tsung Hua) and moves in with him. But all's not smooth sailing in a city where free love and illicit affairs are frowned upon, and rebellion is just not done!
Pao Hseuh-li started his film career as a cinematographer, beautifully lensing such important films as Golden Swallow. This was one of his films as director. Lo Lieh, soon to be Shaw Brothers' first international star, stars as Sung Dynasty patriot Chin Liang, who runs afoul of a corrupt and ambitious ex-friend. To avenge the villains' treachery, he must make an oath of death, purposely maiming himself to accomplish his ultimate triumph.
In Sex, Love and Hate, director of erotica and kung-fu films, Chu Yuan, combines stars from both genres to create a masterpiece about Hong Kong society's differing views on love and what women want from it. The provocative Chu Tai (Ching Li), exotic Pai Mei (Lily Ho) and the princess of kung-fu films Yao Yao (Hsu Feng) compare notes on what makes them happy in love, and then subsequently proceed to find it.
An Iron Bodyguard (head of a security firm) called Wang Wu (Chen Kuan Tai) meets a scholar (Yueh Hua) and forms a strong friendship with him after fighting some villains together. The scholar is a member of the reformists – a group of scholars pressing for social reform in China towards the end of the Qing dynasty. The Emperor is actually all for reforms, and appoints this group to run the country. This doesn’t suit the Empress Dowager though, as she has no intention of losing her power. She orders the reformists to be arrested, and Wang Wu gets drawn into
the politics despite having no real political views himself.