Chiang Sung-ping (Chiao Chuang) is a nightclub drummer, he take care of his passed-away teacher, Su's daughter Su Ling (Ivy Ling Po). Chiang trains Su Ling to be a popular singer and they admire each other. Vocalist Pai Lu (Shen Yi), who has feel affection on Chiang, worried he may fall for Su Ling. Pai Lu starts Chiang off on drug habit and tells Su Ling. In desperation, Su Ling decides to leave Chiang...
Kuei Chih-hung was famous for his modern day crime thrillers, his horror flicks, and even his comedies. But if the only kung-fu film he ever made was this one, he’d still be spoken of with respect by even the most ardent martial arts movie fan. Many consider this real life martial arts champion Chen Kuan-tai’s best performance. As a deeply, even obsessively, dedicated Chief Court Constable, he illuminates the screen with fighting skill and emotional passion. Award winning actor Ku Feng is his equal, playing an especially homicidal robber-chief who thinks nothing of throwing all his men at their relentless pursuer. Lu Tsun and Huang Pei-chi choreograph the many battles featuring such action stalwarts as Pai Piao and Ai Fei.
It's a fun and wild romp that mixes pleasure with pleasure. A nightclub owner, playboy Peter Chen Ho, has his ways with three sisters while gallivanting across Asia. Each one has a dangling relationship to save - ensuring a series of mishaps and comic moments. The film also introduces young up and coming starlet Betty Ting Pei as one of the sisters.
Veteran director Lu Chun-ku leads handsome Liu Yung, pretty Liang Yun-hsin, and “Thundering Mantis,” Liang Chia-jen on a madcap mixup filled with cons, double crosses, and triple plots. It’s starts in sickly comic style as the trio’s fathers are poisoned by Lady Wu so she could steal the rare artifact known as the Double-Faced God. Extracting a deathbed promise from their wives to train their children to take back what is rightfully theirs, the siblings grow up to exact a vengeance that is more hilarious than horrific.
When directors in the late '70s began jumping on the kung-fu comedy bandwagon renowned director Chang Cheh stuck to his guns of traditional brotherhood and moral code films made popular by him in the '60s. So in keeping with the spirit of the venomous success of the cultish THE FIVE VENOMS, Chang reunites the Five Venoms in arguably his second biggest cult hit in the West, THE KID WITH THE GOLDEN ARM. As the film's lead martial arts instructor and one of the stars, it's also one of Lo Meng's finest moments on screen playing the righteous villain Golden Arms whose eventual showdown with the drunkard Hai Tao (Kuo Chue, fight choreographer for BROTHERHOOD OF THE WOLF) is graphically artsy and balletically violent. You won't be disappointed.
Director Chow Sze-loke brings to you one of the most famous stories from the renowned Chinese novel, The Water Margin. The Amorous Lotus Pan tells the story of a poor but beautiful girl, Lotus Pan (the radiant Diana Chang Chung-wen). Cruelly labelled "a delight to all men", Pan is raped by her young master. Stained with a past such that she is unable to be wedded to a rich man, she is then married to a midget who treats her like an animal. Lost and alone, Pan falls for his brother, playboy Wu Song (Paul Chang Chung)... but beautiful women do not have things easy. Pan is also lusted after by the murderous Men Ching (Pai Yun) and unwittingly becomes a pawn in the game of lust, egoistic desires and cruelty as she becomes the unwilling conspirator and ultimately, the victim in a vicious game of macho bravado and murder!
Chang Chung-wen, Pai Yun, Paul Chang-chung, Hung Wei, Li Kun, Chin Jen-shu
Choreographed by the great Liu Chia-liang, David Chiang and Ti Lung star as two skilled boxers in this Chang Cheh masterpiece. Chiang discovers at his father's deathbed that he has a half brother in Thailand. He travels to find his long lost brother (Ti), who became a boxer to earn money for his sick mother. When the two finally meet, they are entangled in the underworld of boxing gambling.
An amusing insider's look at the Hong Kong film industry; this is auteur Li Han-hsiang's version of Truffaut's Day for Night and Fellini's 8. It is a homage paid to Li, with a 30-year landmark in this business. Based on the director's highly popular newspaper column, this is a potboiler of some of his funniest and most surreal film gossips of the era. Filled with fictional plots and hardcore facts, this is definitely a must-see for any Hong Kong cinema aficionado!
Martial arts film standout Leung Kar Yan brings the same animalistic intensity from his early heroic bloodshed films to Danger Has Two Faces. The tough, ex-cop character is now relegated to become a pet store owner. The stern Police Superintendent Liu is played by Chu Chiang, while newcomer Fei Hsiang must take risks to find out which cop is "paid for" by the mob.
Liang Chia-jen, Chu Chiang, Ku Chia-lu, Fei Hsiang
The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she's soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It's best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.
Li Li-hua, Kao Pao-shu, Ouyang Sha-fei, Kwan Shan, Ku Wen-chung
In 1975, Ho Meng-hua, master of the "esoteric weapon" kung-fu thriller, started an international sensation with The Flying Guillotine. But while he went on to direct such further "crazy cutlery" hits as The Dragon Missile, popular demand insisted upon a sequel to the original decapitator-on-a-chain. So, first, they got a script by a trio of writers, featuring a new, improved "Ring-Chain Flying Guillotine" and the only weapon that can stop it, the "Toothed Wheel". Next they matched Cheng Kang, the director of their popular true crime thriller The Criminals, with Hua Shan, the director of their superheroes Super Inframan, to double-team the project. Then they cast some of the best martial arts actors in their repertory - all ably choreographed by the often unsung, but universally respected Tang Chia. Finally they filmed Ti Lung as a fugitive from the emperor’s cruelty, against the whole F.G. gang in a blade-on-blade battle to the headless death!
This sequel to The Empress Dowager surpasses its predecessor in some ways. The attention to historic detail in the sets and costumes is everything one expects from director Li Han-Hsiang, the master of the costume drama. Variety hailed the production as "lavish, the script tightly packed"; Variety also concluded that the "filmmaker's efforts to try to make things perfect, to put his audience back in the days of the Empress Dowager and her son, have come off once again."
The Yang family, men and women, had served their country (Song Dynasty) loyally for generations. During the war with Western Xia, General Yang Tsung-pao is ambushed and killed. His death leaves his only son, Yang Wen as the only male heir left to the Yang family. His widow, Mu Kuei-ying, the grand matriarch and the entire family set out to avenge his death and defend the country. Due to the interference of a corrupt official, Wang Ching, the Yangs were unable to have the emperor's consent to use the imperial army. Thus, they set off with whatever volunteer troops they could muster...