When reputable fight choreographer Liu Chia-liang debuted as a director with THE SPIRITUAL BOXER, it not only established him as a superb director, but it also encouraged other martial arts instructors to turn to directing. Plus, it was the first film to introduce comedy into kung-fu so it made sense for Liu to return to that foundation with the same bumbling idiot Wang Yu still not quite getting it when it comes to the affair of ghost control in THE SHADOW BOXING. Liu also brings in both of his brothers Liu Chia-yung and Gordon Liu Chia-hui, which guaranteed that the fights would be an extra notch above magnificent further ensuring that the audience had never seen anything like it before. THE SHADOW BOXING was twice as successful as THE SPIRITUAL BOXER.
Award-winning actor Ku Feng is Lei Chen-tien, a vicious, cunning, murderous brigand who wants the title treasure. Tsung Hua is Tai Tien-chou, the handsome swordsman who wants to avenge his father's death. Wang Ping is Wu Hsiao-yen, the lovely girl who must disguise herself as a boy to take on this pirate. Tien Feng both directs and co-stars as The Senior Master in this blade and battle-filled adventure of intrigue, treachery, and tragic triumph.
One of Shaw Brothers’ most sweeping epics, comparable to Dr. Zhivago for the scope of its intensely personal love story. Set in war-torn China, it tells of a married couple who find the obstacles of the warfront are, in many ways, easier than those on the homefront.
One of the most respected, long-lived and powerful emperors in Chinese history, Chien Lung, travels to one of the most scholarly cities in China incognito, and there he indulges his interest in gambling and a certain courtesan.
A year before he was to direct King Boxer -- the first Hong Kong kung-fu film ever to break into the international market -- Cheng Chang-ho both wrote and directed this powerful martial arts movie. Ling Yun, of Gun Brothers and Hellgate (among many others), ably plays a magician-warrior who initially protects the villain from an ambush by the title heroes. But after his wife's and friend's deaths, he must fight to set things right.
Three young kung-fu warriors from wildly different backgrounds become students of Shaolin at the same temple. These three warriors are: Royal Guard Lo Lieh, fleeing soldier, Lo Meng, and villager, Wang Yu.
Skilled shadow boxer Ku Ting hides his skills by working as a construction worker. But when the thugs assault his girlfriend, Ku Ting has no choice but to use his teachings to show his enemies what it takes to keep justice in line.
Pan Lei, winner the China Literary Award for three consecutive years, wrote and directed this film about the lives and loves of a fishing village. It starred the glorious Cheng Pei-pei in her first film as a woman (she had debuted in a man’s role), and her much-lauded performance won her the prestigious Golden Accolade Award from the International Association Of Independent Producers a first for any Asian woman.
In 1975, Ho Meng-hua, master of the "esoteric weapon" kung-fu thriller, started an international sensation with The Flying Guillotine. But while he went on to direct such further "crazy cutlery" hits as The Dragon Missile, popular demand insisted upon a sequel to the original decapitator-on-a-chain. So, first, they got a script by a trio of writers, featuring a new, improved "Ring-Chain Flying Guillotine" and the only weapon that can stop it, the "Toothed Wheel". Next they matched Cheng Kang, the director of their popular true crime thriller The Criminals, with Hua Shan, the director of their superheroes Super Inframan, to double-team the project. Then they cast some of the best martial arts actors in their repertory - all ably choreographed by the often unsung, but universally respected Tang Chia. Finally they filmed Ti Lung as a fugitive from the emperor’s cruelty, against the whole F.G. gang in a blade-on-blade battle to the headless death!
In Sex, Love and Hate, director of erotica and kung-fu films, Chu Yuan, combines stars from both genres to create a masterpiece about Hong Kong society's differing views on love and what women want from it. The provocative Chu Tai (Ching Li), exotic Pai Mei (Lily Ho) and the princess of kung-fu films Yao Yao (Hsu Feng) compare notes on what makes them happy in love, and then subsequently proceed to find it.
The Yang family, men and women, had served their country (Song Dynasty) loyally for generations. During the war with Western Xia, General Yang Tsung-pao is ambushed and killed. His death leaves his only son, Yang Wen as the only male heir left to the Yang family. His widow, Mu Kuei-ying, the grand matriarch and the entire family set out to avenge his death and defend the country. Due to the interference of a corrupt official, Wang Ching, the Yangs were unable to have the emperor's consent to use the imperial army. Thus, they set off with whatever volunteer troops they could muster...
Wu Sung (Ti Lung) beats a vicious tiger to death in Yang Ku on his way back to the town. The local magistrate appoints him assistant chief constable because of his bravery. When he comes across his ugly brother, Wu Ta-lang (Ku Feng), he is taken home to meet his alluring wife Pan Chin-lien (Wang Ping). Pan is smitten with Sung and attempts to seduce him, but Sung forcibly rejects her. When her husband returns, she accuses her brother-in-law instead. Wu Ta-lang does not believe her, but Sung nevertheless leaves quietly on a mission to another town.
Cheng Kang both wrote and directed this exciting, historical, martial arts drama. Yueh Wah, a co-star in Trilogy Of Swordsmanship here plays the Sung Dynasty army's Chief Instructor, on a danger-fraught pilgrimage to the Tung Yueh Temple. From his first step, there are deceits, double crosses, and dirty tricks as a corrupt minister plots to ruin him and kidnap his wife. Only a lovable, capable monk played by the noted character actor Fan Mei-sheng can help him take vengeance in this exciting, satisfying chase thriller.